

- ALESIS MULTIMIX 8 LINE OUTPUTS HOW TO
- ALESIS MULTIMIX 8 LINE OUTPUTS PDF
- ALESIS MULTIMIX 8 LINE OUTPUTS FREE
A control that lets you position a mono signal within the stereo spectrum by altering the level of the signal being sent to the left channel as opposed to the right. Refers to an audio signal that has only one channel. A device whose purpose is to combine and output a number of audio signals, allowing various types of signal manipulation. An amplifier that boosts a microphone-level signal up to line level. The section of a mixer where the mam is controlled. The amount of power dliving an audio signal The most common names given to levels of vatying voltage are, from lowest to highest, microphone level, instrument level and h.ne level. Channels - 4 on your MultiMix 8 USB have gain controls, which are useful for 1 boosting mic and line signals. ****** ****** gam level master section mic preamp n-uxer mono (monaural) pan phantom power post-fader pre-fader return send stereo gain wet 30 The measure of extra amplification applied to an audio signal.

EQ is used to fine-tune a signal’s highs and lows. The part of your mixer (01 other device) that manipulates an audio signal by lowering the level of some frequencies and increasing the levels of others. Effects processors come in many shapes and sizes, from small pedals up to rectangulal rackmount units. Some common effects include reverb, chorus, flange and delay. A tulit whose puupose is to provide effects for audio signals. Dynamic microphones are generally cheaper than condenser microphones. The opposite of “wet.” A comtnon type of microphone that does not require external power.
ALESIS MULTIMIX 8 LINE OUTPUTS FREE
Term used to describe an audio signal free of effects. As you tum the Imob or slide the fader, you’ll feel it “click” into the detent. Detents are used to malk important settings. A point of resistance in the path that a mixer knob or fader travels. A type of high-quality microphone that produces a weak signal, usually reqtunng an extemal power source like the ones provided by your MultiMix 8 USB’s XLR mic inputs. Different CODECs are used by different digital audio devices and file formats. The cutting of an audio signal caused by a level that is too great for a muxer circuit to handle. A section of a mixer on which reside controls like a fader, EQ and pan for manipulating the signal of an input channel. A path through which an audio signal flows. A control that lets you control the position of sound in a stereo signal by altering the relative levels of the left and right channele The electlical component that carlies Signals from multiple sources to a single destination such as an amplifier. These allow the addition of external effects and other audio souuces. Term aux (auxiliary) balance bus channel channel strip clipping codec condenser microphone dB (decibel) detent dry dynanuc nü-rophone effects processor EQ (equalizer) Definition An additional set of outputs and inputs found on many mixers. ****** ****** Glossary Here are the definitions to some terms you’ll probably encounter while using your MultiNIix 8 USB. ****** ****** This page intentionally left blank 28 ****** ****** This page intentionally left blank 26
ALESIS MULTIMIX 8 LINE OUTPUTS HOW TO
****** ****** Table Power Input Of Contents Introduction Welcome! About the MultiMix 8 USB MultiMix 8 USB Key Features How to Use This Manual A Few Words for Beginners Chapter 1: Getting Started Hooking up the MultiMix 8 USB Using Proper Cables Setting Levels Chapter Two: A Tour of the MultiMix Patchbay Mic Inputs (Channels 1 - 4) Line Inputs (Channels Line Inputs (Channels PHONE Jack AUX RETURNS AUX SENDS 2-TRACI105mW into 75 ohms, >40mW into 6000hms -10dBV nominal, +5dBV maximum All measurements done over a 2211: – 22kH: range with a IkH: sine wave at +18dBu (-1dBFS) input. ****** ****** IWO XP/O This page intentionally left blank 7CP/’0 CXP/O 10/0
ALESIS MULTIMIX 8 LINE OUTPUTS PDF
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